This will be the script for question 1
Opening
*Opens front door*
Emily : Oh my gosh hi its been forever come on in!
*small scene of camera coming in, I turn my back to camera I start walking, cut to kitchen*
Cut
Interviewer: Hey! I haven't seen you in a while, what have you been up to lately?
Emily: Honestly, I've been so busy and focused on my AICE Media project. I just finished the final edit for my very first thriller opening called secrets and I’m actually just about to bake a cake to celebrate well and to clear my head for my reflection. Do you want to help me out? You can ask me some questions while I get this started.
Interviewer: Definitely! What are we making?
Emily: Just a normal cake, but honestly it’s a lot like the movie. You need the right base the right mix and you definitely can't mess up the timing. Let's start with the dry ingredients.
Cut
For my opening I used low lighting inside the car to create a sense of being trapped and tension. That is like the flour in this cake because it is the essential foundation that makes the genre work. I also focused on representation theory. I wanted the female character to represent the innocent victim at the start which is a classic convention.
According to Stuart Hall and his encoding and decoding theory I put specific mystery elements into the scenes like the secret note to make sure the audience feels the stress and suspicion. I am basically using the hypodermic needle theoryhere by trying to pull a specific feeling of fear directly out of the audience from the very first frame.
However I did challenge some conventions. Usually in thrillers jump scares are really loud and sudden but in my film opening I chose a very subtle beat drop. I wanted it to feel more grounded and creepy rather than just loud. It is like adding a pinch of salt to a sweet cake because it makes the whole flavor of the film more interesting and unique.
No comments:
Post a Comment